On average, this critic grades 1.2 points lower than other critics. For 632 reviews, this critic has graded: 28% higher than the average critic. Her reviews could be controversial and she left an impact on other critics such as Roger Ebert. https://alexsheremet.com/pauline-kael-one-films-worst-ridiculous-critics Reviews. What She Said: The Art of Pauline Kael Review written by Daniel Reynolds January 15, 2020 We can only wonder what Pauline Kael, one of the most well-known film critics of all-time, would say regarding a movie about her own work and life. 2020 Election American Film Market Movie Reviews TV Reviews Roundtables Podcasts Pauline Kael: A Life in the Dark: Book Review 5:16 PM PDT 10/6/2011 by Todd McCarthy Movie Reviews Great Movies Collections TV/Streaming Features Chaz's Journal Interviews Cast and Crew Pauline Kael Find on IMDB. Pauline Kael, whose film criticism anchored The New Yorker between 1968 and 1991, would have turned 100 on June 19. Summary: Pauline Kael was likely the most powerful, and influential, movie critic of the 20th century. In the 1960s and 1970s, she fostered a new generation of American filmmakers, just as she had earlier promoted the works of India’s Satyajit Ray and the French New Wave. by Lorry Kikkta Film Threat. She digs deep into a movie and dissects the heck out of it to such an extent and with such a critical eye that one often has to step back and wonder if she ever really fully enjoyed any film. (She died in 2001.) Pauline Kael has written 541 movie reviews between 27 Feb 1936 and 01 Jul 2020. Her tenure at The New Yorker, from 1968-91, coincided with a seismic eruption in American independent filmmaking. Considered the most influential movie reviewer of her time, she’s rivaled only by Roger Ebert in both fame and acclaim from their peers. A 1966 movie review by Pauline Kael on Jean-Luc Godard, who turns 85 today. Find on Wikipedia. (Kael even voted for Barbra for "Best Actress" for "Dolly" for the NY Film Critics award, which REALLY caused the movie snobs to clutch their pearls. McCabe & Mrs. Miller (1971) – Review by Pauline Kael “McCabe & Mrs. Miller” is a beautiful pipe dream of a movie — a fleeting, almost diaphanous vision of what frontier life might have been. Pauline Kael, who died in 2001 but would have turned 100 today, looks down on my writing desk askance – or rather, 10 volumes of her reviews do. The most thought-provoking critique of the Bernardo Bertolucci’s The Conformist was by Pauline Kael in the March 27, 1971 issue of The New Yorker.While she declined to call it a “great movie,” she nonetheless declared it a “sumptuous, emotionally charged experience.” ‘What She Said: The Art of Pauline Kael’ is a wonderful visitation of the famed critic’s life. For a more extended discussion, see Pauline Kael's book I Lost it at the Movies. Pauline Kael - Film Reviews. Pauline Kael was probably the best film reviewer ever to put pen to paper. Pauline Kael was one of the most acclaimed, opinionated, and clever movie critics. Image.jpeg Viewed at the 69th Berlin Film Festival 2019. THE CITIZEN KANE BOOK by Pauline Kael Herman J. Mankiewicz & Orson Welles Quickview Loved or hated her influence was undeniable. Pauline Kael (/ k eɪ l /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Part of this has to do with how she viewed movies – as a member of the audience of movie goers rather than a … Herself (archive footage) For 22 years, Pauline Kael was one of the mainstays of The New Yorker, writing reviews that were hotly debated and almost compulsively read. She was known for her "witty, biting, highly opinionated, and sharply focused" movie reviews. Pauline Kael, as seen in “What She Said,” directed by Rob Garver. Pauline Kael (/keɪl/; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. When Pauline Kael reviewed a movie, any movie at all, her writing pulsated with life, but that didn’t mean she wasn’t parsing everything with supreme braininess and reasoning and inquiry. Pauline Kael movie reviews & film summaries | Roger Ebert. La Nuit de Varennes France-Italy (1982): Historical/Comedy 133 min, Rated R, Color, Available on videocassette Descended from a long line of "Gallic romps," this is a creakingly cultured … No film buff or budding critic should miss this. O ne of the great legends of 20th century film criticism is that both Joan Didion and Pauline Kael were fired from their respective jobs for trashing The Sound of Music.These women, who by this point had built up a comfortable rivalry, were temporarily bonded by their mutual hatred of Robert Wise’s Oscar-sweeping musical. What She Said: The Art of Pauline Kael (2019) Nell Minow . by … lol) The big problem with Pauline is that she wrote looooooooooooong reviews so in retrospective collections, many reviews … Pauline Kael Select another critic » The New York Times, The New Yorker. That’s because the longtime film critic for The New Yorker (1968 to 1991) filled her work with personal insight, emotion, and a depth rarely seen in modern-day critical musings. This film critic has awarded movies a score of 67% on average. 70% lower than the average critic. Kael was known for her "witty, biting, highly opinionated and sharply focused"[1] reviews, her opinions often contrary to those of her contemporaries. This documentary does a superb job at showing the heart and soul of Kael, who was much more than the average film critic. What She Said: The Art of Pauline Kael is a feature-length documentary directed by Rob Garver that explores Kael’s life and legacy. She had a taste for violence in films, but only when it was purpose and she disliked movies she felt were superficial or … "What she said: The Art of Pauline Kael" A portrait of the work of controversial film critic Pauline Kael and her influence on the male-dominated worlds of cinema and film criticism. Pauline Kael's work, when revisited today, is a treat and for years I've longed to know more about the spirit behind those words. She was one of the most influential American film critics of her era. Pauline Kael movie reviews were never mediocre affairs. Kael’s legendary essay-review about Bonnie and Clyde was published in 1967 in the New Yorker. Pre-publication book reviews and features keeping readers and industry influencers in the know since 1933. What She Said is a brisk exercise in film history, but the dominant figure, justly, is Kael herself. Her love of movies was revealed in her ruthless pursuit of what made a movie or an actor's performance work, or not, and why -- which made her a lightning rod amongst colleagues and readers. Brian Kellow’s fascinating new biography, Pauline Kael: A Life in the Dark, is as thorough, for the most part, and fair-minded as any Kael fan could wish for. I have been reading film reviews from many critics for many years and since I read her review of Walter Hill’s “The Warriors (1979),” Pauline Kael became my favorite film critic, ever. Kael was known for her "witty, biting, highly opinionated and sharply focused" reviews, her opinions often contrary to those of her contemporaries. She was known for her "witty, biting, highly opinionated, and sharply focused" movie reviews. Pauline Kael was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. 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