Diana was forced to be prim and proper, Duffy suggesting that ‘You know her name’ simply from this description. One of these is mythological, Helen of Troy. The third person discussed in Duffy’s Beautiful is Marilyn Monroe. Her death came in a car crash while fleeing from the press, perhaps signaling ‘dead’ as her final resting state. Duffy traces four women: Helen of Troy, Cleopatra, Marilyn Monroe, and Princess Dianna. For example, ‘him kneel to pick her up’, displays that she is being ‘pick[ed] up’, an action being executed upon her. Ads are what helps us bring you premium content! The fourth section discusses Princess Diana. The login page will open in a new tab. Beautiful by Carol Ann Duffy. Wonderful poem. Duffy dismantles the notion that women cannot perform equally to men, Cleopatra doing so despite being subjugated for her feminine beauty. Beautiful lines. Ground Control barked down the line. Peter 19 November 2017. her poems are horrible 2 13 Reply. The award-winning poet Carol Ann Duffy gave a poetry readying at Emory University on February 21, 2015. The filed on, deep, dumped what they couldn’t use. It is quite simply a poem about writing love poetry. The tone is ironic and bleakly humorous. Duffy presents the woman exploited from the moment she wakes right till she sleeps. The Kray Sisters, by Carol Ann Duffy Carol Ann Duffy (born in Glasgow in 1955) is one of the most popular poets writing in English today, and her appeal to a wide range of readers, and the public at large, was recognised in May 2009 when she was appointed as Britain's first ever female Poet … They stood in line, sighed, knelt, beseeched Be Mine. Duffy has written the poem to show how the end of their stories were tragic; and how beauty gave them power that they necessarily didn't want or use. Please support this website by adding us to your whitelist in your ad blocker. Duffy uses ‘under the lights’ to display how exposed Monroe was. Beautiful by Carol Ann Duffy. The Powerpoint contains annotations of each stanza picking out key quotations and asking exploratory questions about the more challenging lines in the poem. Something went wrong. Instead of furthering the iconic legend of Helen, she remains faithful, the only friendly character of this section is a female. The ‘starlike sorrows of immortal eyes’ is oddly wounded. Duffy could use this to suggest a melancholic pang to the character. Dumb beauty. History is a key theme within Duffy’s Beautiful, and in several of the ‘Feminine Gospel’ poems. Even when ‘sleepy’, her ‘startled gaze’ is instantly captured. One of Carol Ann Duffy’s most popular and frequently discussed poems, ‘Prayer’ is a Shakespearean sonnet about the various reminders of prayer – heard in the rhythm of a train, or the sound of piano scales, or the familiar routine of the radio … Each of these sections varies in stanza style and length. A Comparison of Before You Were Mine and Pluto; Men, Women, and Representation in Duffy's ‘The Worlds Wife’. The media twist her public perception. I am intrigued with this. Duffy explores complex issues relating to their power, their victimhood, and how society — especially male society — can exploit and destroy them. It is interesting to note that even in fiction, women are exploited and prosecuted. The use of asyndeton, ‘floated, gargled doubles over tables, downed’ displays Cleopatra’s success. Duffy emulates this pressure by confining the structure to a particular style – representing Diana’s entrapment through the form and structure of this section. Carol Ann Duffy splits Beautiful into four sections. 11.7K 4. Duffy presents how the physical qualities of a woman have to lead to determining how their lives played out, ‘fame’ and ‘fate’ repenting the outcomes of Helen of Troy and Diana. In doing this, Duffy can focus the poem on key ideas without disrupting the rhythm of reading. The first of the women explored in Beautiful is Helen of Troy. This woman ‘loved her most’, loving her for herself instead of her beauty. Read more. The first stanza ends with ‘loved’, emphasized by a caesura and end stop. 10 of the Best Carol Ann Duffy Poems The Way My Mother Speaks. She was born from an egg, a daughter of the gods, divinely fair, a pearl, drop-dead. As a character born from myth, Duffy represents this fantasy depiction through the energetic and changing structure. This poem uses history to suggest that women have been exploited since the beginning of time, both in fantasy and real life. In every task, she attempts she is able to come out on top. Her work is widely successful and studied in schools throughout the United Kingdom. It is one of the National 5 set text poems. Another technique that Duffy uses throughout Beautiful is caesura. The first two stanzas contain 9 lines, while the second two contain 10. www.kingsplace.co.uk of cities lost foever in the sea, of snakes. The result is a flowing, rapid-paced, free-verse composition, packed with allusions, lists and concise descriptions. Duffy could be using the freeform structure of the section to reflect the mythically of Helen of Troy. Yet, the focus on ‘aged’ could link into the notion that women’s beauty fades as they age. Carol Ann Duffy splits Beautiful into four sections. The fact the examiners see her ‘public hair’ demonstrates how even her body is abused after death. The repetition of ‘filmed her’ furthers this idea, a camera constantly on the beautiful woman. This reference bears relevance as Desdemona is murdered by Othello due to his male rage, unable to believe his loyal wife. The final image of this section focuses on ‘little bird inside a cage’, representing the trap that beauty is. The caesura of ‘smile, cunt’ places emphasis on the expletive, defining the rage behind the media that pursued her. They use her only for pictures, hating her while they make their livings from her. Subscribe to our mailing list and get new poetry analysis updates straight to your inbox. The use of italics within the sixth stanza reflects the voice of the media. This is the most structurally confined section of the text, being written in quatrains. This confirms to the reader that Duffy is focusing on Helen of Troy, who features in Christopher Marlowe’s play. The length of this section could be emblematic of her long reign, Duffy remembering the success of Cleopatra. In "Beautiful", a series of women appear to be manifestations of the same being, defined only by the ability to excite the desire of men. "Medusa" first appeared in Carol Ann Duffy's 1999 collection The World's Wife. The final words, ‘her face’ centralize the poem on the female experience. 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